Tips for Choosing the Right Composer
Selecting the right composer for a score seems like a daunting task, but can ultimately lead to a union that will elevate your project to the next level. Once the idea of the project takes shape the question then becomes; how should I go about selecting the ever-important composer for my project? Here are some tips to help guide you through the decision-making process.
Before you even begin to compile a list of names, you should think about instances in which you felt the music that accompanied a project was particularly effective. This is important, as you are more likely to see eye to eye with someone when you are already accustomed and comfortable with his or her musical style. Take note of the composer’s name and seek them out while keeping in mind that the composer of your choice may already be established or renowned, which can mean that they command rates that exceed what your budget will allow. For this reason, it should be your first step to focus on a particular style because by doing so, you have given yourself the option of finding your composer based on his or her style, not name and reputation.
As for where you should look for your composer, a good start would be to turn to music schools and classified sections of selected magazines such as The Independent MovieMaker and Release Print. These resources will help you make a choice on the basis of musical style and to select from a pool of “composers” as opposed to “musicians.” Being a member of a well-known band does not necessarily lend a musician an understanding of complexities of composing for visual media. If you do decide to choose a big name musician as your composer, it is essential that you have someone with experience as a music director or arranger, as well as someone with adequate recording equipment and technological resources to carry out the project.
Once the composer is chosen, communication becomes crucial. It is imperative that your vision and direction is explained clearly and understood by the composer. Failing to do so can lead to projects that are over- or underscored and will detract from the final product. It is also important to set realistic goals for your composer. Too often tensions arise between the director and the composer as a result of mismanaged expectations. Start communicating early and often with your composer in order to ensure that you are both on the same page with regards to the direction of the project and what is to be expected.
The Rights Workshop works with filmmakers and producers at all stages of production, and can provide support for composer searches as well as budget-appropriate referrals. If you’re looking for a composer or have questions about contracting with a composer, please feel free to contact us for a free consultation.
- By Nathaniel Pachtne